Crossing Talon technique is program # 12 of the Orange Belt and is defined as a defense against cross wrist taken (right to right). Symbolically "Talon", refers to the claw of an eagle clutching his prey, in this case to our wrist, probably with the intention of controlling either destabilized by applying a "key" or lock or as a prelude to a coup cunning with his left hand, either with a fist or other concealed weapon. The opponent at this point is trying to use "Manipulation Control" and we have several possible answers starting to use our free hand strokes of legs or resort to any number of methods called "de-bottlenecking of dolls, which allow break out using the principle of starting on the weak side is taken that the thumb. (For example Upward elbow). The opponent's arm as a tourniquet is a barrier for us to cross from the outside inwards. To achieve this we require to synchronize all our efforts into a single action combining vertical body, advancing the left foot and a Neutral Bow Inward Strike the opponent's elbow that eventually will become a Bar Arm (Arm Bar). In the arts of war, having conquered the elevation, the Corps must maintain position. Well, we have the Arm Bar neutralizing the opponent in a dominant position, but if we use his right hand to strike, we must first release the opponent's wrist with which the Arm Bar disappears, although there is a way to do it (Grasp of Death). If you want to use your lead hand I am limited in scope and could give rise to fantasies of the "elbow" of the opponent, which had annulled the Inward strike. As a viable alternative is moving to another lock, called Figure 4 (Figure Four). Then apply the principle of pull-push, which "keep the position, now controlling the area of height (hight zone). This had been previously used in "Lone Kimono." Our body strongly established in our position acts as a barrier stopping the opponent violently. If your angle of support (bracing angle) is not well established, the weight and action of the opponent may take the floor. In the old version emphasized in particular that the opponent would hit his approach in the jaw with our left knee. With the opponent bent, continue the action naturally with the Palm and Claw Heel and beating up the face, then reapply this time using a lever and fulcrum (fulcrum) the opponent's blade. This mirrors the initial manipulation conducted counter with the right hand. The figure of eight in the vertical plane can hit left knuckles (knuckle back) to the kidney area and then trigger a Downward elbow to the center of the column. We then hits an elbow in horizontal and vertical. Ideal End Phase of the art with a tasty sandwich Palm Heel to the mastoid and left knee (Knee Kick) right to the face or ribs. The Palm Heel leads us to shift from Neutral to left Forward bow, required for alignment and shift the weight to the left leg, allowing our knee blow. In Petit Sensei classes for practice and application taken a lever (eg Arm Bar), first Palm Heel was struck with the back of the opponent's hand and then performed the takeover of the wrist, making this the importance of knowing how to properly apply an attack so we can defend better. In the Arm Bar forms is present for example in the Short Form 1 (hidden move), or explicitly in Crossing Talon variations in the Short Form 3 Long Form 3.
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