Seldom shows us how we place ourselves in our instrument, perhaps without thinking that the basic stance is to avoid injuries in our musculoskeletal system. As they occur later in life, no one gives due prominence to start playing, which does nothing but get used to vicious positions which are then more difficult to correct. First, we must sit on a bench or chair for drummers. Usually have a bearing triangular with the apex forward, so that our legs slip on both sides of the seat. The foam of the seat should be in good condition, if not, can be entrusted to an upholsterer to fill it again with this material. Our torso should be erect, and knee angles of 90 ° to the floor, falling in the right leg of the bass drum pedal and the left in the hi-hat. The soles of the feet may fall fully on the pedals if your style is heel down or heel down, or only tip if your style is heel up or heel up. Among both thighs house the snare, whose rear edge should be only a few inches below the level of the forearm by placing it in parallel to the floor. This will facilitate the type shocks rim shot, that is, on the ring and the patch. If the front of the snare tilts up, down, or stayed the same level of the trailing edge, ie parallel to the floor, it is a matter of style, and each has its advantages. Comes the issue of the grip of the sticks. The two basic types are matched matched grip or grip, and the traditional grip or traditional grip. Both types share the grip with your right hand, but vary in the left hand. In the latter, the ramrod is held between the thumb and forefinger, and passes under the middle finger and ring above. This technique is followed by the drummers of school, and preferred by jazz yaque weakens while the left hand gives a more nuanced performance. The matched grip is the most common among drummers in popular music, and is the one I prefer. In it the two sticks are caught in a similar manner. They are held between the thumb pad and the outside of the 2nd joint interfalágica the index finger of both hands. The last three fingers to help us manage and control the rebound of the stick. Obviously, the American grip becomes an intermediate position between the two, and is perhaps why the most common form of wielding the sticks. However, each of these three sub-types has specific advantages:. The American grip is often used to carry the rhythm on the snare and the hi-hat, cymbals and percussion burst (crash and splash) contralateral. The French grip is to implement ghost notes, shock with rebound and shot on the snare rim, to hit the take, to strike the cymbals ipsilateral burst, and to lead eighth-note rhythm in the body of the ride. The German grip is ideal for carrying a rate of black on the hood of the ride, to run the cross-stick, and to add impetus to implementation. Finally, one can mention the shoes, which must be rubber plant as light as possible; drummer gloves and / or rubber grips, which are little tubes through which pass the sticks, and attire, usually consisting of loose trousers, preferably short, and a "bvd" or a zero-sleeve shirt, all with the purpose of having wide freedom of movement when playing.

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